New Professionals

A guide to joining twitter now it’s an unremittingly bleak document of how awful everything is

burning twitter.gif

As a librarian using Twitter, my experiences follow the classic three act structure of a movie. (Not a feel-good film. One of those more grown up films where you leave the cinema feeling depressed.)

Act 1: Hope and expectation

You take your first few steps into the online world. It turns out to be AMAZING! There are so many like-minded people there, and they’re so helpful! Ideas are shared, collaborations begin. Real life progress is catalysed by Twitter conversations. Cheers!

Act 2: Growing up

Twitter makes more and more things possible. But the community is fracturing. Was this inevitable? Progress still happens, among so much infighting. Nothing is allowed to be unequivocally good anymore – anything previously thought of as positive now comes with a handily placed fellow twitter user who is cleverer than you and so can tell you how actually it’s all terrible after all. It’s better to know, right? Although naivety felt great compared to this. Things got real.

Act 3: An unending garbage fire where joy goes to die

The world is divided into two types of people – those who know how horrible humans really are, and those who steer clear of social media. Twitter is a mirror to society and what it shows is ugly as hell. Twitter shows humans for what they really are in the way that previously Science Fiction stories did. We are past the point of allegory; who needs it?  Brexit, Trump, Katie Hopkins, fear, anger, sorrow. Libraries are in trouble? The WORLD is in trouble. We’re all doomed. “Name something that shows your age, which the younger generation wouldn’t understand what you’re talking about” goes the meme. Everyone tweeting about winding back unspooled cassette tapes with a pencil. And you’re thinking: hope? Decency? The Labour Party? Check Twitter. Go to sleep feeling sick. Wake up feeling sick. Check Twitter again. Rising panic. Repeat to fade.

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So how do you answer this question?

I’ve written guides on ‘if you’re new to Twitter, here’s what you do’ before – they’ve been among the most read posts on this site. But all that seems very quaint and a little moot now. Like reading a guide to the eatery options on board the Titanic after it’s hit the iceberg.

Here’s my attempt at giving this a proper go.

What advice would you give someone who’s just joining Twitter now?

1.      Lay down some ground-rules and stick to them. Twitter works when you are in control of it rather than it being in control of you. It needs to be something you DECIDE to engage with, rather than getting into a cycle of dependence, checking it listlessly until all hours even though you don’t even want to, getting ever more scared or depressed. So, don’t check it after 9pm or before 8am for starters. No one needs to start their day with that shit. Think about whether you really need it on your phone at all – and if you do, consider deleting it (the app, not your account) during holidays and over Christmas.

2.      CURATE. Find the good people. Use the search box to look for people tweeting about stuff you care about. Follow the ones talking sense. Find the community you want to be part of and join in. You need to curate Twitter, proactively following and unfollowing to make it work for you. That said…

3.      Get out of the echo chamber. If you follow 1000 people who all think the same you’ll be in an echo chamber and that’s no good to anyone. Everyone will reinforce your view of the world and then Brexit will happen and you’ll be all, WTF? But if you follow a bunch of people who really wind you up, you’ll be wound-up all the time. So a middle ground must be found. To quote, well, me, in a thing I wrote for the University of York’s MOOC: “Make sure your online social circle doesn’t consist entirely of People Like You - follow and interact with people from different professions, socio-economic demographics, locations, nationalities and ethnicities. This at least builds a more rounded picture of the way the world thinks.” I’ve have learned SO MUCH from people on Twitter. Not just about my profession, but about society, about behaviour. That’s why I still love it even though it’s a shit-show now, by and large. Look to be challenged as well as supported, but if someone is hateful or obnoxious, mute, block, lock your account - do what you need to feel comfortable.

4.      Trust that the right people will find you, rather than changing to please the wrong people. Better to give of yourself, be yourself, present an unvarnished version of yourself, and take your time to find a network who is happy with you as you, than to try and adapt to be like everyone else. I know this sounds like a self-help book. But honestly, Twitter is huge. Your people WILL be there. Wait for them rather than watering yourself down. Everything is fragmented now. Find your fragment.

Twitter, yesterday

Twitter, yesterday

5.      Don’t slow down to look at the car crash. Of course it’s compelling. Of course you want to know what’s going on. But you don’t NEED to see it. You don’t need images that are going to haunt you and still be there when you close your eyes to go to sleep tonight. If certain world leaders are tweeting horrifying things, block them then you won’t see them ReTweeted. Do it. Add a load of words to your mute list – use the advanced mute options. You need to take care of yourself to get the most out of Twitter. Self-care is vital.

6.      For celebs and politicians Twitter is a broadcast medium. For the rest of us it’s still a conversation. Tweet about your work. Tweet about your life if you’re comfortable doing so. But tweet about other people’s work too. RT stuff. Reply. Get involved in chats. Back and forth. Twitter is the social media platform that is most like just chatting to people in a room.

7.      Make Twitter the best place it can possibly be. While the world falls apart around you, make your part of it a place where good things happen. Be positive but realistic. Be supportive. Don’t RT nonsense or propaganda or lies. GO TO THE SOURCE. Don’t be unquestioning. Think about your role in other people’s echo chambers too. Help people out. Be approximately 30% nicer online than you are in real life to allow for the potential misinterpretations of un-nuanced written text. Don’t make people’s days worse. Make things a little bit more Act 1 (above) and a little bit less Act 3.

8.      Don’t be afraid to quit. No one ever regrets shutting down a social media account. If it’s not having a positive impact on your life, get rid.

The tl;dr version of this post

It's a little late for that unless you've scrolled right to the end, but basically find the right people and Twitter can still be great. I still love it. It's still useful. It's still enriching. And that's because of the people I follow and interact with.

NLPN's Useful Resources

Just a very brief post to say check out the fabulous NLPN's Useful Resources page. They've brought together a list of professional library bodies, groups and networks, blogs, job sites, journals and databases and even institutional repositories. 

It's aimed primarily at New Profs but it's useful for everyone in interested in the wider profession. If I'd had this kind of curated list of useful stuff when I came into the profession I would have found it so much easier to understand the wider context and become part of a bigger conversation. You really could get through years of librarianship before you needed more than what NLPN've put together on this list. Get to it!

Click the pic to go to NLPN's site

Click the pic to go to NLPN's site

Life, Librarianship and Everything at #NLPNOpen

I gave at talk at the #NLPNOPEN event on Saturday, organised by the wonderful Manchester New Library Professionals Network. I actually invited myself to talk at this event, something I've not done before, because I think NLPN are ace, and because my favourite events have always been New Professionals events, and I miss the enthusiasm and hope, and what to learn from the new ideas. They were kind enough to let me talk at them for an hour at the start, basically about things that I've found to be important and that I'd wish I'd known earlier, about life, librarianship and everything (although mainly, it has to be said, librarianship).

Here are the slides.

Really the key messages are firstly that the tools exist now for you to make things happen if you want to - start a network, start a JOURNAL even, write blog, join a wider dialogue, whatever it may be - and that if you take one action it can lead to all sorts of other actions, that are rewarding in themselves and can benefit your career.

BUT, that said, the second message is no one cares if you're a rockstar, and interview panels don't actually ask about the stuff you do outside your job very often. It may be that you talk about it - it may be that when they say how would you cope with marshalling an annual resources budget, you can reply 'I'm the treasurer for this committee so I have experience' - but no one seems to say 'tell us about what groups you've joined / what conferences you've presented at / what articles you've written'. Not normally. In HE particularly we literally have to ask the same questions to every candidate so there's no room for those kinds of digressions. So this slide is, I think, important to reassure people who feel like they should be Doing All The Things but cannot Do All The Things because life gets in the way:

Everyone present did a brilliant job of tweeting the talk and indeed the whole day, which you can see in the Storify NLPN have pulled together - it's embedded below this next bit.

I saw some really good talks at this event, and I really enjoyed the open nature of the discussion - sometimes at traditional library conferences everything feels quite narrow because so many conversations have been had before, or are on sort of perpetual loop. The standard was very high too, in terms of presentation skills and the slides themselves - hardly any bullet points, lots of images, lots of creativity, lots of good communication.

Suzanne Coleman gave a great mini paper about Instagram, which is absolutely the most important platform for academic libraries using social media at the moment. Laura Green and Louise Beddow (who joined Twitter off the back of my talk - please go and make her feel welcome!) then talked about what they did for National Libraries Day at MMU - generally the academic sector engages with NLD in a fairly minimal way but they went all in and it really seemed to work. They had huge success with their comment board, allowing students to write things which other students (and staff) could reply to on the wall - this is an ethnographic technique which seems to work well so much of the time. We have walls at my own institution which you can write on, but they're specifically designed for students to just workshop ideas or get things out of their brains, rather than for feedback. But we're doing the feedback wall thing properly soon and I'm interested to see how it goes.

Carly Rowley talked about music librarianship, which was interesting to me as I've been a Music Liaison Librarian here. The discussion was a lot more Content / Collections based than my experiences - I tended to focus on the services we could offer rather than the stuff we had, but that probably just reflects my biases and interests. It was interesting that a few people in the room could play instruments or read music but didn't consider themselves musicians! I think if you can play or sing, you're a musician. Surely? I love being a musician and in how I define myself it's a lot more important to me than being a librarian is, although outwardly it takes up far less of my life. On that note, there's actually a secret (as in, unlisted in the navigation) part of this website that acts as an outlet - along with my Instagram - for drum-related things. You can find it here, friends of drums and drumming...

The final two presentations were Open Access themed. They complimented each other well actually - Jen Bayjoo representing the librarian and Penny Andrews representing the Researcher. The common theme was really around what it is actually like to be an academic, which is to say a human being with pressures and insecurities and lives to lead, and interact with library systems. A healthy dose of realism ran through Penny's talk - it's so important to be realistic about which parts of what we do work, which parts really matter, which parts may or may not endure... Jen had a nice practical element too, discussing real life problems and issues of working in an OA advocacy / support role. Her slides are online here.

It's also important that we as info pros are Open Access all the way - don't submit your article to a non-open-access journal, folks! I wrote most of my 'proper' publications before I really understood Open Access, but I've retrospectively got as many permissions as possible to make things OA. See my Publications page for the links, including a thing for Bethan Ruddock's New Professionals Tookit book - although my take on a lot of that stuff has evolved since I wrote that, so if NLPNOpen-me disagrees with Bethan's-book-me, go with NLPNOpen-me...

Organising events is hugely stressful - it's THE WORST, worse than dating a Tory, even - so massive thanks so NLPNOpen for doing this, for free, on their weekend (and of course many more days in the run-up to the event, working everything out). I got a lot out of the day. I learned stuff and I felt good afterwards. It was ace.


Here is @ManchesterNLPN's excellent Storify of the day - check out the tweets to get more of a feel for all of the presentations. Thank you SO MUCH to NLPN for having me. Loved it.

New Zealand, professional nourishment, parenthood and opportunities

 

On Guy Fawkes Night I set off for New Zealand, where I pursued the most exciting opportunity of my professional life. It was AMAZING. But I also won't be doing it, or anything like it, again - for a very long time. Because it's a pretty selfish act, to go away for 8 days and leave your spouse and children to it, just because you get to do a cool thing. This post is partly unpacking that and partly writing about the fantastic experience of going to the LIANZA Conference.

Shed 6, where the conference took place, is on the left of this picture, near the crane. Amazing venue!

Shed 6, where the conference took place, is on the left of this picture, near the crane. Amazing venue!

(Email subscribers! There's a lot of pictures in this one. If they're not displaying view the original post online.)

Taking opportunities

I am by nature both overly cautious, and overly lazy. As it happens falling into librarianship has sorted both those things out for the most part. It's not that I'm 'cured' of them, just that they're both constantly superseded by circumstances. I care about my job and the profession enough to stop me being lazy or cautious most of the time.

But it's always there, in me. Often I secretly hope things I'm committed to will fall through. When I went to the LIASA Conference in Cape Town the travel didn't get sorted for ages, and I started to get genuinely hopeful the whole thing would be called off. But it got sorted, and I had an absolutely incredible experience. It's always the way. 

So when the chance came up to go to LIANZA in Wellington (thanks to my bad fonts...) I was conflicted - I really, really wanted to go, because a) it was such an honour - to do a Keynote at an international conference, and I feel incredibly fortunate to get that sort of opportunity in the first place b) it was in Wellington, which sounded like an amazing place, and c) because I didn't want to give in to the lazy and cautious part of me and not pursue an extraordinary opportunity. In the negative column was a) I'd have to be away from my family for at least a week, which would be hard for me and also for them - solo parenting = zero fun a lot of the time, and b) I'd have to spend time at the weekends preceding the conference writing the keynote, and prepping the workshop I was also going to do while I was over there, and c) the journey door to door is about 35 hours each way, which is not much fun.

The positive column won over the negative column. Fundamentally I didn't want to turn down the greatest professional opportunity I'd ever been given. I asked my wife if I could do this, and she said yes - but really, it's not that meaningful to have done that, because she's not the kind of person who's going to say 'no, you must stay with us'. But she was dreading it. It loomed large in the calendar for us as a family - something to get to the other side of unscathed. I was excited, but it felt like a selfish excitement.

#SHOUT15 itself

I felt quite odd during the conference because I found it incredibly difficult with what was happening at home (more on which below) to be away, but it was perhaps the most professionally nourishing thing I'd ever done. I LOVED it.

The conference was fantastic. It was very much a shared experience for librarianship in New Zealand. I felt this about LIASA for South Africa too - and missed not having that in the UK. We don't have a single conference that unites everyone, that everyone in the profession catches up at. It's a shame, because it's a great feeling to be among a community who share so much understanding.

The powhiri begins...

The powhiri begins...

We started with a powhiri - a Māori ritual ceremony of encounter. It's hard to describe - it involved all of us lining up inside the venue, and then entering as part of a sung call and response between our leader and those inside the building, which established we were friend rather than foe. Here we are all lined up, ready to go.

It was exciting! Everything about the opening to the event was vibrant - I genuinely feel for any New Zealanders coming to UK conferences because we can't promise anything quite as involving over here! 

The first keynote was from Sarah Houghton, who has achieved quite a high level of librarianship-celebrity with her Librarian in Black blog. She was talking about library ethics and privacy, and it was something I needed to hear. I believe in a notion of librarian ethics, but often on twitter it's assumed there's a universal set of values we all subscribe to. It's not really something that's ever come up, in my career, outside of the twitter and blogs discussions. I'm not sure staff are being told what our general values are, only those of the institutions they work in. (I may be wrong, but that's my experience of it.)

So to have Sarah lay out exactly what it means to be a librarian in terms of ethics and values, and to give several examples of not just what not to do but what we CAN do, was very valuable to me in shifting this whole conversation to a firmer footing in my head. Sarah's slides are here.

A picture Justin took to say hello to Jan Holmquist and Andromeda Yelton, our Buyalib partners

A picture Justin took to say hello to Jan Holmquist and Andromeda Yelton, our Buyalib partners

Justin and Ines Almeida

Justin and Ines Almeida

Then Justin Hoenke did his thing. I'll put a link to his keynote here when he uploads it, but you can watch the talk right away if you wish. I was unbelievably excited about meeting Justin, because we'd worked together before, but remotely, and it pleased both of us that we'd finally meet in so far-flung a location for someone from the US and someone from the UK... Amazingly it lived up to the hype, too - we spent a lot of time together and I absolutely loved it. I'm crap at being myself with people I've just met, but with Justin and with Ines from LIANZA I was able to do that right away, which is a rare and exciting thing for me that is so liberating it feels like flying.

Justin's talk was ace, and watching him deliver a talk in a very laid-back style made me, as someone who also tries to present as conversationally as possible, really excited about talking to this group of people. They were receptive and engaged and enthusiastic - perfect. I've never wanted to work in public libraries so much as when watching Justin talk: the difference he's made to his community both in his previous job and his current one is just amazing! It was inspiring.

Kim Tairi's slides were BEAUTIFUL and are online here - she uses her own drawings and I really like the style. Like all good slides they don't tell you the whole story, so you can watch her talk here. It was pretty amazing to hear Kim's talk because she seems like one of us, but she runs a library! She's in charge of a whole academic library! Justin and Kim are both (I think) somewhere around my age, and although I don't envy them being bosses I'm hugely admiring of their ability to do it. 

As I said in my talk, doing a keynote at an international conference felt like a big responsibility. I was as far away from my house as it's possible to get without coming back the other way, and although I didn't ask for a fee it still cost LIANZA a small fortune in plain tickets and hotels to get me there. I felt like my talk was positioned at the ideal time - Sarah and Justin had to open the thing, which is pressure; David Lankes had to close the thing, which is pressure; Kim had to speak first thing the night after the Gala Dinner, which is very tough indeed! My talk was 3 days in, and in the afternoon, and I felt really ready for it and happy with the slot. Usually I practice the first 10 minutes of a talk so I know how I'm going to start, and then allow things to flow from there - for this one I practiced the whole thing in full THREE times! I've watched it back and there's a few things I'd change, but it's basically a presentation that's as close to how I'd wanted it to go as it was possible to get. The people in the room were LOVELY: so supportive and responsive and engaged. It felt great. Thanks to everyone who tweeted such kind things, too.

If you're interested in the library marketing manifesto I presented, the slides and recording are elsewhere on the blog.

A picture of me presenting which I don't hate!

A picture of me presenting which I don't hate!

The audience being warmed up before my talk...

The audience being warmed up before my talk...

In the UK I normally cap workshops at 20 - this one had about 130! I think it sort of worked, although I should have trimmed it down a bit further

In the UK I normally cap workshops at 20 - this one had about 130! I think it sort of worked, although I should have trimmed it down a bit further

David Lankes started his talk by saying 'I'm glad I get to go last as I can correct Ned and Justin's keynotes...' which I liked. There were indeed things in David's (masterfully delivered) address which I disagree with, but I think people appreciated getting multiple perspectives. I certainly enjoyed the through-line of conversation between all the various talks - I quoted several of the other keynotes in mine and found them all to be valuable in shaping my thoughts. David has done a lot of big talks like this one, but it's still a new thing for me - he was very supportive, which I appreciated. We went to the amazing World War I exhibition at Te Papa and afterwards agreed that, in the grand scheme of things, the stuff we disagree about doesn't really matter...


Wellington is a fantastic place. I had no days there where the conference wasn't on, and there was always something in the programme I wanted to be at, so I only had the odd snatched moment to explore. I went up and down Cuba Street which was great, I ended up going to Te Papa, the national museum, twice because it was so amazing. On the first occasion I got there when it opened and headed straight for the top and worked my way down; everyone else did the opposite and it felt like I had the place to myself for about three quarters of an hour, which was magical.

The view from Te Pap's viewing platform. It is unbelievably windy up there!

The view from Te Pap's viewing platform. It is unbelievably windy up there!

Inside the amazing Te Papa

Inside the amazing Te Papa

On the Tuesday after the Gala Dinner we retired to a Korean Karaoke Bar (I never do this sort of thing....) but I was running a workshop the next morning so I left at 1am, long before the rest. I have absolutely no sense of direction, so it was with some excitement that I set out into the Wellington night to find my way back to the hotel. Normally I use Google Maps for EVERYTHING but with no foreign data plan I just wondered around until I found the coast, and then followed it back home. It was great, having the quayside to myself with ocean crashing away in the dark beside me.

Justin sings a song by Journey...

Justin sings a song by Journey...

Fireworks night on the waterfront

Fireworks night on the waterfront

I met so many great people at SHOUT15 - I don't want to list everyone in case I miss someone out but you know who you are! It was brilliant meeting people I've known for years via Twitter, and I made a lot of new friends too. This is what made it such a fantastic event for me.

LIANZA made everything very easy, too. From the moment Ines and I started emailing about going over there they've been kind and helpful. It's a great organisation. One day I'll be back!

Fatherhood and Career Stuff

I've been away from my family for a period of a few nights four times since my 5-year-old was born, all career related: the SLA Conference in America, LIASA in South Africa, doing some training in Australia, and now LIANZA. For the latter 3 of these, I was away for about 8 nights - essentially the shortest possible time without it being impossible to get anything meaningful done whilst there. The journey in each case was at least a day each way, so the time spent in each country was basically 5 days. Parenthood is more important to me than my career, so how can I justify this? In each case, it felt like a one-off opportunity, too good to miss. I wouldn't trade going to any of them - they've each felt hugely significant in my development, and my understanding of culture. But as of now, there won't be any more until at least the kids are a lot older, or they can come too. 

While I was away this time, they had a spectacularly unlucky time. Both of them ended up in hospital (the youngest in the middle of the night, the oldest rushed there from school in an ambulance), and my wife ended up missing work attending to and following up all of that drama. Other smaller things went wrong too and all in all it was just massively stressful - and I wasn't there. Because of what happened with our youngest last year (and her last treatment was only a couple of months ago so it's been a real war of attrition) there's a sort of residual stress-level to do with their health, which means relatively small problems feel like yet another thing to deal with. Everything feels bigger than it is. It was awful to be literally as far away from home as it's possible for someone in England to be - the guilt of voluntarily not being there came second to the horrible feeling of just not being able to help. I had anxiety dreams and trouble sleeping. I coped by not thinking about it as much as possible during the day, which felt like a betrayal in itself.

(I'm aware how #firstworldproblems this all sounds - but I didn't want to present a varnished version of this experience that made it all sound like perfection. It's important that we talk about this stuff and the feelings that surround it. Everyone has different circumstances around work/life balance, and I'm glad this post has sparked conversations around that in general rather than specifically doing talks abroad. The specifics are different for all of us but there are common issues. Lots of people have told me men don't talk about this stuff enough, too!)

So basically, no matter how cool the thing abroad, I can't do it anymore. For a while. Everyone else has to suffer while I swan off to another country and have fun. It's just not justifiable. The fact is I don't need to do it, I don't have to travel abroad for my job. I want to do it - if it were consequence free for my family that would be fine, but it isn't, so it's not.

Shout15 was an awesome, fantastic, magical way to duck out of long-haul foreign travel.

I can't believe you've read this far...

Thanks for getting to this bit, if you did. My overall feeling from LIANZA is that people are pretty great. We all need to look after each other.

If you need a conference / event / project website, Strikingly might be the option for you

 
The short version of this post is: if you'd like a clean modern website for your online presence, and aren't looking to do anything too complicated, Strikingly may well be the right choice for you. It's easy to use for both author and viewers of the site, and it's free as long as you don't get TOO much traffic.

Over the past couple of months I've been tinkering around with the website builder Strikingly in spare pockets of time.

I really like the vertical scrolling style websites you can make in Strikingly - I first saw that style when Matt Borg used it for stuff like the UXLibs site. You can use normal navigation to skip to whichever page you like, or you can scroll down and they all appear below the homepage - meaning you never have to load up a new page to explore the website. This long-form one-page style saves time and works well.

Where it doesn't work so well is if you have a lot of complicated information to display on many different subjects - in that setting a traditional website may work better. But if you have just one story to tell Strikingly can do it with an uncluttered, stylish, and very mobile friendly site. For example for a conference, an event, a project, a collaboration, or even a personal website to act as a CV or something for the Googlers to find.

I already have this main website made in Squarespace (which I reviewed here), so in order to have a reason to sign up and play with Strikingly in earnest I built a site for my Training offering. You can find it here if you're interested - the top part looks like this:

Click the pic to open the website in a new window

Click the pic to open the website in a new window

At the moment this feels some way ahead of Blogger and even Wordpress in terms of the interface - it's pleasant to interact with a Strikingly site. You can actually blog using Strikingly, but if you do that and achieve success with it, you're going to exceed the 5GB of bandwidth that comes with the free version of the service. You can upgrade to the 8-or-16 dollar a month packages but I doubt anyone reading this would want to that - so to my eyes, Strikingly is a good option for someone who wants an online presence, perhaps to document some projects you've worked on, an online CV, or to showcase your skills if you're job-hunting, but who doesn't want to commit to blogging. Or, as mentioned, for an event, conference or collaborative project.

The editor looks like this:

As you can see you choose the type of section you want, then edit the content to your own. You edit the actual site - so what you see is truly what you get, rather than there being a seperate Editor interface. This makes it easier to see exactly how the changes you make are going to affect your design.

PROS OF STRIKINGLY

  • It's fairly fool-proof in terms of making things look nice. You are set up to succeed and would have to out of your way to make a duff site, even if you have no experience of web design or blog-building etc
  • It's very easy to create a site. There are nice templates which are relatively customisable
  • It's free, as long as your site is not too popular! (See below)
  • It's Responsive Design, so everything about your site is retained when viewing it on mobiles - it's just re-ordered to best fit the size of screen. Below is a screen-grab of Preview mode where you can see your site in tablet or phone view:

CONS OF STRIKINGLY

  • If you exceed 5GB of bandwidth per month, you'll need to upgrade to a paid-for package. There's more on understand bandwidth requirements here but to 5GB ought to be enough unless you're blogging and building an audience. I don't know what my bandwidth usage is anymore as the Squarespace package I have is unlimited, but in my old wordpress days I used between 10 and 20GB a month - had I not been blogging and thus creating traffic I think 5GB would have been more than enough
  • You need a lot of imagery. As with all modern website designs, it's a lot about pictures - so you'll have to use some. There's plenty of inbuilt options to choose from but in making mine I had to hunt around for things which were relevant, and not just stylish for the sake of it
  • Following on from that, all these new website builders (like Squarespace too) are really aimed primarily at start-ups and freelancers; sometimes it feels like an effort to find the options which aren't all about a: the hard sell or b: vaguely trendy lifestyle stuff that may work in a San Franciso web design office but is hard to imagine having any meaning elsewhere
  • It's not THAT flexible - as mentioned above, a more complicated site is better off with a different website builder. The editor is easy to use but a little constraining so you can't micromanage the finer details of how each section is arranged
  • And the usual disclaimer as with any new site-builder - who knows how long the company will be around? Unlike Wordpress which is open-source and sustained by the non-profit community, Strikingly exists as a business, and businesses go under... There's no reason to expect Strikingly to stop existing, but you never know.

So could Strikingly work for you or an enterprise you're involved with? If you do decide to give it a whirl let me know what you make with it.